mölly & Kazmyn – Here Again

Compelled by music’s capacity to heal, mölly, a San Francisco-based, melodic house producer, DJ, and yoga teacher, debuts into the scene with a heart driven by purpose. Her intentional productions are a euphoric blend of heartfelt melodies, emotive chord progressions and captivating vocals, designed to lead listeners on an intimate journey of connection, introspection and hope. Inspired by the sound of silence and the ocean waves, her tracks are infused with a serene yet empowering essence.

mölly’s magnetic energy has become her signature, captivating audiences worldwide and earning her a place alongside renowned artists like Christian Löffler, Eelke Kleijn, Luttrell, PRAANA, Estiva, Oliver Koletzki, Nick Warren, Elif, and more. Specializing in crafting sacred, authentic experiences, her live performances transcend what’s known, offering transformative journeys that connect audiences deeply to the present moment. A star on the rise, mölly continues to inspire and uplift, proving that when you follow your heart, the universe conspires in your favor.

mölly debuts on Colorize with a showstopping two-track EP – this is ‘Here Again’ and ‘Wild Again’!

What is Somatics?

By Thomas Hanna, Ph.D.
THE DISTINCTION BETWEEN SOMA AND BODY

Somatics is the field which studies the soma: namely, the body perceived from within by first-person perception. When a human being is observed from the outside, i.e. from a third-person viewpoint, the phenomenon of a human body is perceived. But when this same human being is observed from the first-person viewpoint of his own proprioceptive senses, a categorically different phenomenon is perceived:  the human soma.

The two distinct viewpoints for observing a human being are built into the very nature of human observation which is equally capable of being internally self-aware as well as externally aware.  The soma, being internally perceived, is categorically distinct from a body, not because the subject is different but because the mode of viewpoint is different: It is immediate proprioception—a sensory mode that provides unique data.

It is fundamental to recognize that the same individual is categorically different when viewed from a first-person perception than is the case when he is viewed from a third-person perception. The sensory access is categorically different as are the resultant observations.

The categorical distinction between these 2 viewpoints establishes the ground rules for all studies of the human species. Failure to recognize the categorical difference between first-person observation and third-person observation leads to fundamental misunderstandings in physiology, psychology, and medicine.

Physiology, for example, takes a third-person view of the human being and sees a body.  This body is an objective entity, observable, analyzable and measurable in the same way as any other object. The universal laws of physics and chemistry are brought to bear on this body, because, as an observed body, it richly displays universal physical and chemical principles.

From a first-person viewpoint, however, quite different data are observed. The proprioceptive centers communicate and continually feed-back a rich display of somatic information which is immediately self-observed as a process that is both unified and ongoing.  Somatic data do not need, first, to be mediated and interpreted through a set of universal laws to become factual.  First-person observation of the soma is immediately factual. Third-person observation, in contrast, can become factual only by mediation through a set of principles.

It should be understood that this difference in data is neither a difference in truthful accuracy nor of intrinsic value. The difference is that two separate modes of cognition are irreducible.  Neither mode is less factual or inferior to the other; they are coequal.

Psychology, for example, takes a third-person view of the human being and sees a body of behavior.  This bodily behavior is an objective datum that is observable, analyzable, and measurable—as is any other behavioral datum. The universal laws of cause and effect, stimulus and response, and adaptation are brought to bear on the behaving body, because, as an observed body, it richly displays these behavioral principles.

But, from a first-person viewpoint, quite different data are observed. The proprioceptive centers communicate and feed-back immediate factual information on the process of the ongoing, unified soma—with the momentum of its past, along with the intentions and expectations of its future.  These data are already unified: they have no need to be analyzed, interpreted, and later formulated into a unitary factual statement.

Medicine, for example, takes a third-person view of the human being and sees a patient (i.e. a clinical body) displaying various symptoms that – when observed, analyzed, and interpreted according to universally known clinical principles – can be diagnosed, treated and prognosed.

But, from a first-person viewpoint, quite different data are observed. The proprioceptive centers communicate and feed-back immediate factual information on the continuous and unified past of the soma and its expectations for the future. The somatic appreciation of how this past led to ill health and how the future may restore – or not restore – health is essential to the full clinical picture.  Ignorance of the first-person viewpoint is ignorance of the somatic factor that permeated medicine; the placebo effect and the nocebo effect.

The human being is quite unlike a mineral or a chemical solution in providing, not one, but two irreducible viewpoints for observation.  A third-person viewpoint can only observe a human body.  A first-person viewpoint can only observe a human soma – one’s own.  Body and soma are coequal in reality and value, but they are categorically distinct as observed phenomena.

Somatics, then, is a field of study dealing with somatic phenomena:  i.e. the human being as experienced by himself from the inside.

Reprinted from Somatics, Vol. V, No. 4, Spring/Summer, 1986

Marconi Union – Weightless (Official Video)

Band creates the ‘most relaxing tune ever’

A British band has worked with sound therapists to create a tune described by scientists as the “most relaxing song ever”.

10:34AM BST 16 Oct 2011

Carefully arranged harmonies, rhythms and bass lines help to slow the heart rate, reduce blood pressure and lower levels of the stress hormone cortisol.

Manchester trio Marconi Union worked with sound therapists to create the soothing tune, which also slows breathing and reduces brain activity.

Scientists played the song to 40 women and found it to be more effective at helping them relax than songs by Enya, Mozart and Coldplay.

The study – commissioned by bubble bath and shower gel firm Radox Spa – found the song was even more relaxing than a massage, walk or cup of tea.

The women were connected to sensors and given challenging puzzles to complete against the clock in order to induce a level of stress.

They were then played different songs as their heart rate, blood pressure, breathing and brain activity were recorded.

Studies found Weightless was 11 per cent more relaxing than any other song and even made many of the women “drowsy” in the lab.

It induced a 65 per cent reduction in overall anxiety and brought them to a level 35 per cent lower than their usual resting rates.

The song features guitar, piano and electronic samples of natural soundscapes.

It is pierced throughout by buddhist-like chants that induce a trance-like state.

Lyz Cooper, founder of the British Academy of Sound Therapy, said Marconi Union had used scientific theory to make the “perfect relaxing song”.

She said: “The song makes use of many musical principles that have been shown to individually have a calming effect.

“By combining these elements in the way Marconi Union have has created the perfect relaxing song.

“The study found this to be the world’s most relaxing song.

“It contains a sustaining rhythm that starts at 60 beats per minute and gradually slows to around 50.

“While listening, your heart rate gradually comes to match that beat.

“It is important that the song is eight minutes long because it takes about five minutes for this process, known as entrainment, to occur.

“The fall in heart rate also leads to a fall in blood pressure.

“The harmonic intervals – or gaps between notes – have been chosen to create a feeling of euphoria and comfort.

“And there is no repeating melody, which allows your brain to completely switch off because you are no longer trying to predict what is coming next.

“Instead, there are random chimes, which helps to induce a deeper sense of relaxation.