Dash Berlin – Till The Sky Falls Down

Its been so long since i have touched you
I cant remember how it feels
To have your loving arms around me
This is the pain i’ve never healed

I’ll be waiting
Till the sky falls down
Let the rain clouds come

I’ll be waiting
Till the sky falls down
Till you come around, baby

All my life i have been searching
For someone honest just like you
You left me here without a reason
Every tear belongs to you

All i need is one good answer
To understand why you are gone
Everything reminds me of you
Without you i cant go on

Dinu Lipatti

Dinu Lipatti (March 19, 1917, Bucharest – December 2, 1950, Geneva) was a Romanian classical pianist and composer whose career was tragically cut short by his death from Hodgkin’s disease at age 33. Despite his short career and a relatively small recorded legacy, Lipatti is considered one of the finest pianists of the 20th century.

Lipatti gave his final recital, which was recorded, on 16 September 1950 in Besançon. Despite severe illness, he gave unmatched performances of Bach’s B flat major Partita, Mozart’s A minor Sonata, Schubert’s G flat major and E flat major Impromptus, and thirteen of Chopin’s 14 Waltzes. He excluded No. 2, which he was too exhausted to play; he offered instead Myra Hess’s transcription of Bach’s Jesu, Joy of Man’s Desiring. As his wife Madeleine recalled, this was the only way Lipatti could bear to take his leave of the world, since, “For him a concert was a pledge of his love to Music.”

Choral “Jesus bleibet meine Freude” from Cantata “Herz und Mund und Tat und Leben”, BWV 147 (arr. Hess) recorded in Geneva, 1950,
Siciliana from Sonata No. 2 for Flute and Harpsichord, BWV 1031 (arr. Kempff) recorded in Geneva, 1950.

VOLAR

SCMP STYLE AWARDS
Feb 26, 2008

The winners in the nightlife and entertainment category, club owners Benedict Ku, Jaime Ku, Ina Yip and Ray Ng, based their unique brand on non-commercial music. Their club Volar brought European electro-rock to clubbers in the city.

Benedict Ku said: “I don’t think it’s a risk. We thought that we needed to bring something different to Hong Kong – give people excitement to come out.”

Mr Ng added: “It was more like setting a trend.”

Mr Ku, 34, and Mr Ng, 37, said they started going to clubs in their teens and still loved clubbing and chilling out with friends. Mr Ng said that when he was still working as a lawyer, he could not afford the time to party, which caused him much distress. “Now I just spend four days [clubbing]. I used to go out six days [a week],” Mr Ng said.

Both agreed that Hong Kong was the perfect place for nightlife because it was easy to hop between different clubs and bump into a variety of people on the same night.

Ministry of Sound sues Singapore licensee

MoS Int’l takes suit against S’pore licensee to High Court
By Chua Hian Hou

A LONDON-BASED nightlife company is taking its lawsuit against the firm running the Ministry of Sound (MoS) club in the Republic to Singapore’s High Court.

Ministry of Sound International earlier filed a suit against the Singapore licensee in the British courts, but it seems it has now moved this legal action over to the courts in the Republic.

The MoS outlet at Clarke Quay, which opened in 2005, is run by LB Investments, a subsidiary of listed Singapore firm LifeBrandz.

LifeBrandz told the Singapore Exchange last Friday that Ministry of Sound International has served a writ of summons on LB Investments.

It said the writ ‘alleges breaches of certain terms and conditions of a licence agreement pertaining to the ‘Ministry of Sound’ brand’.

LifeBrandz said it would ‘vigorously defend’ the ‘unmeritorious’ allegations.

The same announcement also said that Ministry of Sound International had ‘discontinued’ its ‘entire claim’ against LB Investments. These claims had been originally filed with the High Court of England and Wales in mid-November.

The lawsuit earlier filed in Britain alleged that LB Investments had violated its licensing guidelines. The alleged violations included not playing the right type of music, not maintaining a stable website and not using the right staff uniforms.

Ministry of Sound International was reportedly suing LB Investments for damages and to force it to stick to its licensing guidelines.

A LifeBrandz spokesman could not be reached for comment yesterday.

LifeBrandz shares closed unchanged at 5.5 cents yesterday.

Care taken to maintain order at ZoukOut party

Care taken to maintain order at ZoukOut party
ST 27 Dec

IN RESPONSE to Mr Kwok Chee Chiu’s letter, ‘Stop diseases, ban parties like ZoukOut’ (ST, Dec 14).

From the nature of the letter, I assume Mr Kwok did not attend ZoukOut and the opinion may be based on The New Paper post-coverage and the translated version carried in the Chinese dailies. This is unfortunate as it was only The New Paper that took this angle out of more than 150 local and foreign publications that attended and covered the event.

This highlights the fact that that story was not an accurate overall reflection of the 23,000 attendees over the 12-hour period, and the pictures featured were of isolated incidents of consenting adults who may have been behaving more intimately than some would consider appropriate but, by no means, against the law. The article may have provoked strong emotions but we assure everyone that Zouk takes safety and managing a party within the legal parameters of the Singapore judicial system very seriously.

Although we respect Mr. Kwok’s point of view, we believe such a call for action, if implemented, would not benefit Singapore’s nightlife industry, tourism (more than 9,000 international guests attended), world democratic standing or economy. ZoukOut has become a national event over the last seven years and a fixture on the international dance and music calendar, considered by many to be one of the best in the world in terms of management, production and entertainment. As responsible organisers, our pre-emptive measures to maintain law and order and abide by licensing conditions included hiring more than 150 security personnel, plus another 40 uniformed police. In addition, ZoukOut is one of the few major events in Singapore where attendees must present photo ID stating they are above 18.

To call for a ban of events like ZoukOut, that promote tolerance, uniting people from all walks of life, regardless of nationality, as the solution to stopping the spread of diseases is in our view misguided and not the most productive way to address the issue. Echoing Forum respondent Dr Wong Jock Onn on Dec 18, it is through better education that people have a greater awareness of how sexually transmitted diseases are spread and ultimately make the right choices.

It was heartening to see all three respondents (Andre Oei, Owen Yeo and Anna Wong) in the ST YouthInk section on Dec 24, all under the age of 21, making concise, analytical and educated statements on whether such events should be banned. They leave us with confidence that the youth of Singapore are more knowledgable, responsible and informed than some may think.

Tracy Phillips
Marketing Manager
Zouk Management

Ministry of Sound parent sues Singapore franchise

The Straits Times
Nov 17, 2007

Ministry of Sound parent sues Singapore franchise
UK nightlife giant unhappy over local licensee’s running of its nightclub here
By Sujin Thomas

THE London-based parent company of the nightlife giant Ministry of Sound (MoS) has filed suit against its Singapore franchise, alleging a litany of shortfalls in the way it is run – from the kind of music played to its unstable website.

MoS filed suit in Britain’s High Court of Justice on Thursday, seeking damages and a court order to force its Singapore licensee LB Investments to fall in with its guidelines on running the club.

LB Investments is a subsidiary of Singapore mainboard-listed company LifeBrandz.

MoS has alleged, among many things, that LifeBrandz’s focus has been on promoting its stable of other nightclubs in Clarke Quay, such as The Clinic, Fashion Bar and Lunar.

Court papers also said the MoS Singapore website has ‘often been down or inaccessible’.

LB Investments is also said to have breached its contract in the areas of staff uniforms, music policy, door policy and the dismissal of key employees.

The bottom line: It had ‘failed to develop’ the club here ‘in a manner consistent with the reputation of the brand’.

LB Investments signed the contract in April 2005 for 15 years and threw a big bash when the 40,000-sq-ft party venue opened in December 2005.

The lawsuit caps an almost year-long exchange of letters and talks, which MoS said ‘was never taken seriously’.

LifeBrandz chief executive Clement Lee said: ‘We don’t think these breaches are of any substance. They have claimed certain things and I don’t think all of them are true.’

He added that his lawyers from Rajah & Tann would draft a reply to MoS.

Besides the alleged breaches of contract, MoS claims that it is owed $200,000 in royalties which were due in April.

But Mr Lee said he was due to pay only next month: ‘Their claim of our not paying them the money is ridiculous because the contract is not even due.’

MoS International’s president Michael Wilkings, who has visited the club here, told The Straits Times on the line from Dubai: ‘The breaches are material, substantial, continuing and unremedied. We are out of patience.’

He has been overseeing the nightclubs and bars under the MoS brand outside Britain for the past 11/2 years; MoS makes about $300 million worldwide every year and now has another franchise in Egypt.

He said: ‘We have been trying to deal with Clement Lee and his colleagues through most of this year, to try and make him understand MoS Singapore has to be operated at a standard that is acceptable to MoS.’

When asked how MoS was alerted to these breaches, he said that, besides customer feedback, periodic checks are made on the group’s clubs, some without the licensees’ knowledge.

‘We obviously don’t have a lot of confidence in their ability to operate the club,’ he said.

Rumours of an imminent closure have churned among partygoers since last month, when industry sources began speculating about unhappiness in Britain’s MoS about the way the club here was run.

But as far as Mr Lee is concerned, the party goes on, since the franchise has not been revoked.

He said: ‘There just seems to have been a difference in direction as to what is expected and what we’re delivering.’

Continue reading “Ministry of Sound parent sues Singapore franchise”

Chris Lake feat Emma Hewitt – Carry Me Away

Down, the water holds me down, it’s like I have no weight
And now, I’m floating with the tide, the sun is on my face
And I hear you talking. I hear you speak, someone’s talking, saying something
But I’m on my own, there’s nothing left to say, it carries me away

And you call out, I can’t hear you, I can’t feel you, no I can’t feel nothing
And you call out, I can’t hear you, no I can’t hear nothing
And you all look the same now
You all look the same now

Now, there’s nothing that I want, to take me from this place
I’m drifting further with the tide that carries me away
And you call out, I can’t hear you, I can’t feel you, no I can’t feel nothing
And you all look the same now
You all look the same now

I know you’re trying hard to reach me
You’ll always feel the cold without me
I know you’re trying hard to reach me
You’ll always feel the cold without me
I know you’re trying hard

Roksan Kandy L1 MkIII

I bought this 120W British made integrated amplifier yesterday and traded in my Martin M-800 (which was far too powerful for home use and not refined enough for female vocals / jazz).

You really should get your hi-fi in Hong Kong. No 7% GST or 17.5% VAT.

The best just got better.

Top 50 Superclubs

List of Top 50 superclubs as voted by international DJs:

1 Space (Ibiza)
2 Fabric (London)
3 Pacha (Ibiza)
4 The End (London)
5 Warung (Itajai)
6 Panorama Bar (Berlin)
7 DC10 (Ibiza)
8 Amnesia (Ibiza)
9 Pawn Shop Lounge (Miami)
10 Zouk (Singapore)
11 Stereo (Montreal)
12 The Arches (Glasgow)
13 Turnmills (London)
14 Space (Miami)
15 Digital (Newcastle)
16 Ministry Of Sound (London)
17 Womb (Tokyo)
18 Guvernment (Toronto)
19 Cocoon (Frankfurt)
20 Pacha (New York)
21 D-Edge (Sao Paolo, Brazil)
22 Cavo Paradisco (Mykonos, Greece)
23 Sirena (Maresias, Brazil)
24 Crobar (Chicago)
25 Fuse (Brussels, Belgium)
26 Pacha (Buenos Aires)
27 Basics (Leeds)
28 Club Kristal (Bucharest)
29 Coco Rico (Riccione, Italy)
30 Cielo (New York)
31 Rex Club (Paris)
32 Robert Johnson (Frankfurt)
33 Yellow (Tokyo)
34 Tenax (Florence, Italy)
35 Weekend (Berlin)
36 Privilege (Ibiza)
37 The Cross (London)
38 Sankeys (Manchester)
39 Home (Sydney, Australia)
40 Pacha (Sao Paolo, Brazil)
41 The Key (London)
42 Babyface (Shanghai, China)
43 Honey Club (Brighton)
44 Se One (London)
45 Alter Ego (Verona, Italy)
46 Spundaue (Los Angeles)
47 Trilogy (Dubai)
48 Venue (Athens, Greece)
49 T Bar (London)
50 Ageha (Tokyo)

Battle of Clubs

ST March 11, 2007
Battle of clubs
Party Central is now firmly focused on the trinity of Zouk, Ministry of Sound and St James Power Station, each with its rabid fans

By Sandra Leong

IF YOU haven’t been out on the town for a couple of months, prepare yourself for a shock as you get set to spin around that disco ball.

In that short space of time, Singapore’s nightclub scene has exploded to centralise around three monster clubs, with news emerging yesterday that the dancefloor shake-up has claimed its first victim.

Smaller clubs are taking a thumping – literally. Thumper at Goodwood Park Hotel revealed that it has had to shut down.

The mid-sized nightclub was hit by falling takings as clubbers streamed to what has quickly become Party Central’s unholy trinity: iconic Zouk, massive Ministry of Sound (MoS) and the newcomer that drove the nail into Thumper’s coffin, St James Power Station.

One of Thumper’s owners, Mr David Chin, says the club’s downward spiral started last November when ‘all the big places started opening’, adding: ‘St James and all that… it took a big chunk out of us’.

Continue reading “Battle of Clubs”

Dance Anthem

A dance anthem, floor filler or club anthem is a dance (or disco) track which receives almost timeless status, being played commonly many years after its release. Many older (pre-1990) tracks which are referred to as dance anthems are often only played at retro nights in clubs, or at themed parties. A common sub-category of dance anthems have sometimes been referred to as “tunes”, examples of such tracks include “For An Angel” by Paul van Dyk, “Energy 52” by Cafe Del Mar, “Carte Blanche” by Veracocha and “Born Slippy” by Underworld.

However, most commonly a dance anthem is a track which DJ’s still play in normal sets alongside the usual tracks. Some are played only towards the end of a set, almost as if a mini retro set was being played, but some are still used as if they were recently released dance music.

The term floor filler was coined to describe extraordinarily popular songs, due to the ability of certain tracks to bring people from the bar areas of nightclubs onto the dance floor. This is often due to the highly distinctive intros that some songs have but can also be due to the simple popularity and recognition of a song. DJs frequently reserve these tracks for critical times during their performances, to bring people to or keep people on the dance floor, thus ensuring a lively atmosphere.

Songs of the 80s

Each song reminds me of something.

ABBA – Super Trouper

A-Ha – Take On Me

Bangles – Eternal Flame

Berlin – Take My Breath Away

Breathe – Hands to Heaven

Chris Isaak – Wicked Games

Concrete Blonde – Joey

Crowded House – Weather With You

Duran Duran – Ordinary World

Fine Young Cannibals – She Drives Me Crazy

Freddie Aguilar – Anak

Johnny Hates Jazz – Shattered Dreams

Johnny Hates Jazz – Turn Back The Clock

Laura Branigan – Self Control

London Beat – I’ve Been Thinking About You

Martika – Love Thy Will Be Done

Queen – I Want To Break Free

Rita Coolidge – All Time High (from Octopussy)

Roxette – It Must Have Been Love

Sabrina – Boys

Sade – Smooth Operator

Suzanne Vega – Luka

Suzanne Vega – Tom’s Diner

Tears for Fears – Shout

Tears for Fears – Woman in Chains

The Cars – Drive

The Escape Club – I’ll Be There

The Police – Every Breath You Take

Tina Turner – We Don’t Need Another Hero

Toto – Africa

UB40 – Red Red Wine

U2 – Mysterious Ways

U2 – One

U2 – Pride (In the Name of Love)

Village People – YMCA

Wham – Careless Whisper

Yanni – Aria (From the British Airways Ad)

Tracklisting – Namaste with Nicolas Tang

Namaste with Nicolas Tang @ Bliss, Sat 2 Sep 2006
0000-0200 hrs

1. Tillman Uhrmacher – Om Nama Shiva (Tillmans Midnight Extended Club Mix)
2. Lost Witness feat. Tiff Lacey – Home (Mike Shiver Catching Sun Remix)
3. Underwater – Waterplanet (Dreas Remix)
4. Alex Morph presents Everest feat Tashita – Oree (Instrumental Remix)
5. Andain – Beautiful Things (Photon Project Mix)
6. Armin van Buuren – Burned with Desire (Rising Star Remix)
7. Aalto – Taurine (Super 8 Remix)
8. Aalto – Rush (Super 8 vs Orkidea Remix)
9. Oceanlab – Beautiful Together (Signum Remix)
10. Rusch & Murray – Epic (Above & Beyond)
11. Polner & Sender – Energy Sublimation
12. White Room – White Room
13. Pulser – Point of Impact (Mike Koglin Remix)
14. Darren Tate & Jono Grant – Sequential
15. Kamil Polner – Ocean Waterfall
16. Agnelli & Nelson – Holding on to Nothing (Paul van Dyk Edit)
17. Armin van Buuren pres Alibi – Eternity (Original IC Mix)
18. Simon Patterson – F-16
19. Matt Hardwick vs Smith & Pledger – Connected
20. Motorcycle – As The Rush Comes (Armin van Buuren’s Universal Religion Mix)

Many thanks to Garry and Fernando at Bliss and all who turned up!

Namaste with Nicolas Tang @ Bliss, 2 September 2006

Namasté is the first in a series of trance events in Hong Kong which seeks to promote trance music to international standards. Namasté or Namaskar (?????? in Hindi, from Sanskrit namah te ) is a South Asian greeting originating in India, which is used when both hello and goodbye would be used in English. This also recognizes the equality of all, and pays honor to the sacredness and interconnection of all, as well as to the source of that interconnection.

DJ Bio

Born in Singapore in 1976, Nicolas Tang discovered trance music in the UK in 1997. Upon his return to Singapore in 2000, he discovered it did not have much of a trance scene. His interest in trance led him to set up Trance Republic ( http://www.trancerepublic.sg) with fellow DJs Jas K and Brandon Wong. Since then, he has played at various Singapore clubs including Phuture, Milkbar, Fuse, Liquid Room and Velvet Underground and is known by his fans for spinning uplifting and vocal trance anthems.

Through the organisation of trance events and by working closely with superclubs towards promoting trance, Trance Republic gradually elevated the trance scene in Singapore to what it is today. This summer, Trance Republic released REPUBLIKA II, its second compilation featuring music from Armin van Buuren, Gabriel & Dresden, Andy Moor, Above & Beyond and more.

Nicolas emigrated to Hong Kong in 2006 and plans to contribute to the scene here with the launch of regular trance events. “After checking out clubs in Hong Kong, I realised that there is still room for trance music,” says Nicolas. “I would like to see Hong Kong’s trance scene improve and I believe that this city has great potential”.

Bliss admission on 2 September for non-members (incl 2 drinks): HK$100

Martin Audio M800

After I left Singapore, I sold most of my DJ equipment to Minzi and wasn’t sure whether to pursue DJing. When I was running Trance Republic between 2000 to 2005, it took up a lot of our time and I felt it wasn’t worth it at some stages.

Well after thinking about it for 6 months it is clear that Hong Kong’s dance scene is boring and they need another trance DJ. I have so many tunes to share with them.

I just placed an order for 2 Pioneer CDJ1000MK3s on Friday and bought an amplifier yesterday. I’m really happy with the amplifier, because I thought and considered what to buy. Most people use an amplifier like Pioneer, Denon, Yamaha etc. Something which they use for normal hi-fi use. I thought about it and as I was really happy with my Arcam Alpha 8 which I bought years ago and it was British made, I decided to buy an amplifier which is British made AND used in clubs. When I was in this club in Nottingham in 1999, the sound was really good and when I checked out the speakers, they were made by Martin.

Eventually I went to Apliu Street in Shamsuipo and bought a second hand one (new would cost HKD8,000) for HKD3,100. Carrying it home was no easy task, it was so heavy like a piece of iron and must have weighed at least 25kg. Then when I plugged it in, the first thing that happened was that a fan inside turned on, like a computer CPU fan.

What on earth is this, I thought, why does it need a fan? My question was answered when the next moment I dropped a vinyl. THE SOUND. The sound was so loud that it blew my socks off. I was using JBL Control speakers (as JBL is used in Fabric and Zouk, etc) and the sound projected to every corner of my apartment.

I broke into a cold sweat. What if my neighbours reported me to the police? Why did I buy such a powerful amplifier which is not meant for home use? But I consoled myself. Hang on, it’s the weekend and the sun is still up, of course people are allowed to blast music. In addition, it gives me exactly what I wanted – the British sound I am so familiar with from the British clubs.

Top 50 Clubs In the World

1

Name: Fabric
Location: London
Capacity: 1600
Website: www.fabriclondon.com

2

Name: The End
Location: London
Capacity: 1000
Website: www.endclub.com

3

Name: Turnmills
Location: London
Capacity: 1100
Website: www.turnmills.co.uk

4

Name: Pacha
Location: Ibiza
Capacity: 3000
Website: www.pacha.com

5

Name: Space
Location: Ibiza
Capacity: 5000
Website: www.space-ibiza.es

6

Name: Amnesia
Location: Ibiza
Capacity: 5000
Website: www.amnesia.es

7

Name: Womb
Location: Tokyo
Capacity: 1500
Website: www.womb.co.jp

8

Name: DC10
Location: Ibiza
Capacity: 1500
Website: www.circolocoibiza.com

9

Name: The Cross
Location: London
Capacity: 550
Website: www.the-cross.co.uk

10

Name: The Arches
Location: Glasgow
Capacity: 2000
Website: www.thearches.co.uk

11

Name: Zouk
Location: Singapore
Capacity: 3700
Website: www.zoukclub.com
Continue reading “Top 50 Clubs In the World”

A very liquid investment

Finance Asia
Timothy Cuffe, 13 April 2006

Fancy owning your own bar?

My father was never one to dispense advice lightly, but on the odd occasion that he allowed himself the extravagance he would put forward a gem. Aside from his sage counsel on marriage, his other chestnut was: “Son, if you are ever going to invest your money in anything, make damn sure that it is something you know a lot about.” So here I am writing about investing in bars, a subject that I think I know an awful lot about. In fact, I would imagine my dad would be rather proud of all the comprehensive research I have done on the subject. With the high density of expat professionals in Asia, owning a bar sounds like the ideal investment for many potential entrepreneurs and bonus-laden investment bankers. Unfortunately owning a bar is not always about rooms filled with friendly conversation, pulling a few pints and people enjoying themselves. There is definitely more to the enterprise once you step behind the counter. “Owning your own food and beverage outlet can be hugely rewarding in many ways, but be aware that owning your own bar is a little like a relationship,” says Mark Leahy, a partner in the Singapore-based McCraic Holdings, owners of BQ, Molly Malone’s, Father Flanagan’s and Dharma Kebabs. “A successful business needs constant love, attention and care. It’s a long term commitment and if you neglect it, it can quickly lose its charm.” It is important to be realistic about the amount of work involved in running your own business, especially a bar, pub or restaurant. People think owning a bar is all about sipping cocktails, enjoying the craic with friends, but they often overlook the amount of hours that are involved in creating the idea for the bar, setting it up, stocking it and organizing and managing staff. “Running a bar isn’t easy – there are a lot of potential pitfalls to owning one,” says Lawrence Morgan, owner of Jem in Hong Kong’s illustrious Lan Kwai Fong district. One of the primary stumbling blocks in owning a bar is lax cost control, and that all begins with the property’s lease agreement. In Hong Kong, leases on commercial property are classically six-year agreements with a three-year rent review. Unfortunately, with soaring property values, bar proprietors who negotiated favourable leases three years ago are now seeing their landlords ask for another 40% or more when their review comes up. “Given the steep rise in property values and subsequent rental increases, a lot of bar owners are beginning to look at the numbers and realize that it just won’t work anymore,” says Morgan. Continue reading “A very liquid investment”